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Album Review Staff Review

Unbowed – Silent Weapons for a Quiet War (Review)

It is no secret that heavy metal has the ability to provoke feelings of empowerment and rebellion within its listeners. This psychological impact is perhaps no more powerfully demonstrated than with Unbowed’s debut LP, “Silent Weapons for a Quiet War“, set for independent release on 13th December, 2024. The album’s title might sound like something of a misnomer at first, since the auditory assault by this German band could be labelled as anything but muted. (On top of that, the sheer energy and capability on display is all the more impressive when you discover the line-up is comprised of just three musicians).

However, delve a little bit deeper into the lyrics and themes of each song and you’ll begin to understand its relation to the over-arching message – that systems of control are stealthily engaged in a war on our society. A statement that you would be hard-pressed to find much disagreement with, especially with the events of recent times. But far from surrendering to this sad reality, Unbowed are living up to their namesake, and fighting back. Taking position on the frontlines of this battle are the ever versatile band members: Vox Infernum (vocals / lyrics), Aetherius (guitar / synth / production) and Percival Drakon (bass / drums).

Their rebellious sentiments perfectly encapsulated in the band’s output, which is a mixture of melodic death metal, along with various elements of thrash, punk, and power metal. An inevitable comparison can be made to the likes of Arch Enemy, and while there are clearly similarities in approach, Unbowed do enough with their brand to successfully differentiate themselves, and stamp out their own patch of territory. Plus, the trio are united by a shared purpose, and strive to do more than just entertain listeners. As proponents with a steadfast dedication to social justice, feminism, and anti-capitalism, they all aspire to see their music used for education, and ultimately, a tool of resistance against the status quo.

The pen can’t topple thrones alone,
We need more than words, we need the stone.
From thought to deed, the spark is cast,
Revolution born, breaking free at last.

Unbowed – The Stone

Every resistance needs that initial spark, and this is exactly what occurs when agitating opener, “We Need A Stone“, comes crashing in through the speakers – an urgent call to action, and a rallying battle cry for all who are seeking to effect social change. Unbowed exhibit their distinct passion for this project by virtue of their unrestrained performances. Vox Infernum pushes her vocals to near breaking point on subsequent title track, “Silent Weapons For A Quiet War“, for instance; her sustained screams sharing the same sonic quality as white-noise at various points. That’s no real exaggeration either. The pitch she achieves is nothing short of mind-blowing during these exhilarating moments, and more resembling what you would expect to hear from a black metal singer.

Unbowed have no qualms about shifting the pace into a higher gear either, such as with the neck-breakingly kinetic, “General Energy Concepts“. Here Vox shows off a different aspect of her voice again, with a pronounced clean-style providing a sharp contrast to her aggressive default setting. Aetherius is given a little more room in the song to make his presence known as well, and showcase his sharp technical abilities as he chimes in more frequently with rich-sounding melodies. If I had to pick an early contender for hit single, this one would be up there as it has all the obvious hallmarks.

4th Law of Motion” took me by surprise again with its unpredictability and Vox’s spoken-word passages, giving off a definite hip-hop vibe early on. Yet this was nothing compared to the ecstatic melding of Vox’s epic screams and the heavenly crescendos of Aetherius‘ weeping guitar solos that would appear later on in the track. There are several such high-points like this on the album, which is a good thing when you take into account its 14-track runtime, not to mention its unwavering focus on political and social issues. Yet thankfully the album never makes you feel as though you are being lectured, which can sometimes be a danger when advocacy collides with art. Here at least, it feels natural and organic.

Hidden Hand” and “Programmed Consent” highlight the efficacy of propaganda and lack of education in controlling the masses, while injecting some cleaner guitar harmonies for the first time. Whereas the pulsing chaos and intensity of the aptly-named “Confused and Amused” will no doubt ensure that it becomes a crowd-favourite in the pit, and all the while simultaneously serving its more meaningful purpose as an allegory for an oppressed and ignorant society: “Keep them confused // Keep them amused“. Aetherius is heard igniting the tension in the air with his flaming hot guitar licks in the opening of “Between Knowing and Disbelief“, as Vox matter-of-factly and somewhat defeatedly expresses the massive mental hurdle that consistently has to be overcome in order to accept the overwhelming truth of our reality: “Blinded by disbelief // We stand paralysed // A conspiracy so vast // It defies our eyes“. Before calling attention to the importance of what is at stake with “Won’t Someone Think of the Children“. With all of this doom, you may not be expecting the shift back to a more positive and inspiring tone, but it arrives with “99 Percent“, emphasising the strength of the silent majority, and how much power lies with the people. You can just feel the winds of change propelling Unbowed to the album’s conclusion, and the group is likely hoping this same momentous energy reverberates with listeners even after the last note is played. Their brave defiance and determination, and the way it has been expertly delivered in such premium musical fashion, is definitely persuasive enough to believe it might!

Verdict: Female-led melodic death metal bands are few and far between, so it is always a welcome occasion to discover another, particularly when they are of such high quality as Germany’s Unbowed. Their debut LP, “Silent Weapons for a Silent War”, establishes them as a force to be reckoned with, and one that is motivated by noble causes. It’s hard not to imagine them attracting a wide legion of followers as a result.

Categories
Album Review Staff Review

SynlakrosS – Mental Parasites (Review)

The Spanish death metallers SynlakrosS have returned with their fifth and most unapologetic album yet – in the form of “Mental Parasites“. As the band have indicated: “The songs on this album are inspired by personality disorders, as well as thoughts and attitudes that parasitize our mind, turning it into a hostile place and making us live in hell.” Quite the departure from their previously sci-fi themed LP “0K4M1” (2021), although one senses this is par for the course with SynlakrosS, whose prior releases have all been substantially different to one another in terms of the topics and issues that have been addressed. Take for example, the Wild West-inspired “Death Bullets For A Forajido” (2016), or the supernatural horror of “Malice Murder” (2018). But an underlying thread which runs throughout their discography is an enduring message of rebellion and self-empowerment. While it might be less prominent, the same observation can be had of “Mental Parasites“.

The thematic changes are important this time, because they do apply a grittier sheen to the material here (and even an element of surprise as well). The band, for their part, provide the distinct impression of fitting in very comfortably with this new theatrical premise. Although especially lead singer Patricia Pons, whose multi-faceted vocals and personas paint her as a fascinating and complex frontwoman. She is a big reason for why the concept of “Mental Parasites” works so effectively – or at all, in fact.

While Pablo Fuentes (bass) is the main composer for most of the songs, and occasionally Iván Muñoz (guitarist), Patricia Pons is still the creative force behind the themes and lyrics. And on songs like “Bunnies And Bows“, it is obvious that she draws much of the inspiration from her own personal experiences. As we witness her unleashing some pent-up emotions and frustrations, whilst railing against societal stereotypes and those in positions of power. She lays it all out on the table – nothing is filtered or left unsaid. The fact this was released as the first promotional single makes this an even greater act of courage.

The song further highlights an interesting aspect of Patricia’s vocals, which take on an almost schizophrenic quality for much of its duration. Perhaps this is feeding into the overall theme of mental diseases, as it certainly seems like multiple personalities within Patricia are fighting to take over the microphone (including what sounds like a Japanese anime character). It makes for some immersive drama, but it could also alienate more casual enthusiasts. Those who grew up listening to Jonathan Davis should have no issues with her unhinged performance however. And there is just no denying the ferocity when she revs up her guttural death vocals.

It is clear right off the bat with album opener, “Cherry on Top“, that much of their sound has been inspired by melodic death titans In Flames. The influences rising to the foreground in “Paranoid“, in particular. But it is not the overriding characteristic. There are components of alternative metal, metalcore, and nu-metal mixed in too. And it’s safe to say that in addition to this, SynlakrosS have an inimitable music style that is all of their own making. The band is arguably at their best when they let loose, and push themselves to the extreme. Such as on the recent single, “Freak“, where Patricia Pons is seen doing her best Meredith Brooks impersonation, and labelling herself as a “bitch” (among other things): “I am a freak // I am a maggot // I am a bitch // I am a riot“. It functions as an anthem of acceptance for anyone who has ever been put down or cast as an outsider, but also doubles up as a showcase for the band’s technical brutality.

Mental Breakdown” continues the devolution of Patricia’s fragile cognitive state, complete with demented panting and screams, making it sound like she recorded the voice track in a padded cell instead of a studio. She steals the focus once more on “Drama Queen“, with its insanely (no pun intended) catchy chorus: “All lights on me // All eyes on me // Adore me // Adore me“. The innocently titled “Popcorn“, on the other hand, belies a more sinister tale of predatory thoughts: “I’m the werewolf // You are my prey, my love! // I’m like poison // I’m like fog // I would eat you like you were popcorn“. Before the album concludes with the troubling “Razor Blade“, where the lyrics are of someone who is in pain and is contemplating suicide. It’s a heavy tone on which to end, and you definitely feel the impact when you are eventually left in silence, and given no closure as to the character’s fate.

Overall, the album executes its concept perfectly, and in a no-holds barred fashion. Proving once again the ability of SynlakrosS to pick a theme and deliver on it, without restraint. The music is equally well implemented and if you can handle the circus, it deserves to be heard.

Verdict: “Mental Parasites” not only gets under the skin, but burrows into the psyche, and some of the dark and twisted places where that can lead. SynlakrosS show an adeptness at putting a spotlight on these various mental health issues, and while the result may not be to everyone’s tastes, the LP is still a riveting and visceral shake-up in the metal scene.

Categories
News Press Release

Arch Enemy Reveal Their New Album “Blood Dynasty”, Due March 28th 2025

After the surprise drop of their latest single Dream Stealer on July 31st, extreme metal legends Arch Enemy are back with more exciting news: The Swedes are pleased to announce their 12th studio album, Blood Dynasty, a long player with 11 new tracks full of Arch Enemy’s powerful signature guitar riffs, guttural force and clean vocal surprises.

Pre-order Arch Enemy’s new album Blood Dynasty HERE.

Arch Enemy founder and guitarist Michael Amott shares about the new album:

This new album pushes the boundaries of what we’ve done before—it’s everything you’ve come to expect from this band, and then some! We can’t wait for you to hear it and feel the energy we’ve poured into every track. Welcome to the Blood Dynasty!

Tracklist “Blood Dynasty”

  1. Dream Stealer
  2. Illuminate the Path
  3. March Of the Miscreants
  4. A Million Suns
  5. Don’t Look Down
  6. Presage
  7. Blood Dynasty
  8. Paper Tiger
  9. Vivre Libre
  10. The Pendulum
  11. Liars & Thieves

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Blood Dynasty is available for pre-order in the following formats:

Special Edition CD (11 tracks)
Special Edition CD (US version) (11 tracks)
Ltd. Deluxe CD Box Set (11 + 2 bonus tracks)
Ltd. Deluxe A/B split (red&golden) LP (11 tracks) + bonus LP (2 tracks) + CD Artbook (13 tracks) & art print
black LP & LP-Booklet (11 tracks)
Ltd. deep blood red LP & LP-Booklet (11 tracks)
Ltd. grey LP & LP-Booklet (11 tracks)
Ltd. transp. red LP & LP-Booklet (11 tracks)
Ltd. creamy white LP & LP-Booklet (11 tracks)
Ltd. dark green LP & LP-Booklet (11 tracks)
Ltd. bright gold LP & LP-Booklet (11 tracks)
Ltd. red blood splatter (clear-red splatter) LP & LP-Booklet (11 tracks)
Ltd. Liquid Blood Vinyl (limited to 666 copies) (11 tracks)
Ltd. black ice LP & LP-Booklet (US version) (11 tracks)
Ltd. milky clear LP & LP-Booklet (US version) (11 tracks)
Ltd. tangerine colored LP & LP-Booklet (US version) (11 tracks)
Digital album (11 tracks)

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Next to the limited deluxe editions that feature 2 exclusive bonus tracks, fans can direct their attention to the Ltd. Liquid Blood Vinyl that is exclusively available in the band stores and limited to 666 copies.

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Arch Enemy has recently embarked on their “Rising From The North” co-headline tour alongside In Flames as well as special guests Soilwork. The tour will be hitting 25 cities in October and early November throughout Europe:

Europe Co-Headliner Tour with In Flames & Soilwork
3-Oct-2024: UK – Glasgow, O2 Academy
4-Oct-2024: UK – Manchester, Manchester Academy
5-Oct-2024: UK – Birmingham, O2 Academy
6-Oct-2024: UK – London, Eventim Apollo Hammersmith
8-Oct-2024: France – Paris, Zenith
9-Oct-2024: Luxembourg – Esch-sur-Alzette, Rockhal
11-Oct-2024: Germany – Hamburg, Sporthalle
12-Oct-2024: Germany – Düsseldorf, Mitsubishi Electric Hall
13-Oct-2024: Netherlands – Den Bosch, Mainstage
15-Oct-2024: Switzerland – Zurich, The Hall
16-Oct-2024: Italy – Milan, Alcatraz
18-Oct-2024: Germany – Stuttgart, Schleyer-Halle
19-Oct-2024: Germany – Frankfurt am Main, Jahrhunderthalle
20-Oct-2024: Germany – Munich, Zenith
22-Oct-2024: Austria – Vienna, Gasometer
23-Oct-2024: Hungary – Budapest, Barba Negra
25-Oct-2024: Czech Republic – Prague, Sportovni Hala Fortuna
26-Oct-2024: Germany – Dresden, Messe
27-Oct-2024: Germany – Berlin, Velodrom
29-Oct-2024: Norway – Oslo, Spektrum
31-Oct-2024: Sweden – Malmö, Malmö Arena
1-Nov-2024: Sweden – Gothenburg, Scandinavium
2-Nov-2024: Sweden – Stockholm, Hovet
3-Nov-2024: Sweden – Sundsvall, Nordichallen
5-Nov-2024: Finland – Helsinki, Ice Hal

Shortly after finishing off Europe, Arch Enemy will continue their live shows with an extensive headliner tour in Mexico.

Tour Dates – Mexico
12-Nov-2024: Toluca De Lerdo, Mexico – Teatro Morelos
13-Nov-2024: Cuernavaca, Mexico – Teatro Ocampo
15-Nov-2024: Cholula, Mexico – Teatro Explanada Puebla
16-Nov-2024: Pachuca De Soto, Mexico – Auditorio Explanada Pachuca
17-Nov-2024: Boca Del Río, Mexico – Foro Boca
20-Nov-2024: Morelia, Mexico – Teatro José María Morelos
21-Nov-2024: San Luis Potosí, Mexico – Cineteca Alameda
22-Nov-2024: Santiago De Querétaro, Mexico – Teatro Metropolitano
24-Nov-2024: Aguascalientes, Mexico – Auditorio DIMO
27-Nov-2024: San Pedro Garza García, Mexico – Showcenter Complex
29-Nov-2024: Ciudad Juárez, Mexico – Anitas’ Convention Center
30-Nov-2024: Chihuahua, Mexico – Arena Corner Sport
3-Dec-2024: Tijuana, Mexico – Estacionamiento El Foro Jai Alai
5-Dec-2024: León, Mexico – Teatro Manuel Doblado
6-Dec-2024: Zapopan, Mexico – C4 Concert House
8-Dec-2024: Ciudad Obregón, Mexico – Magno Center
10-Dec-2024: Mérida, Mexico – Auditorio La Isla Mérida
11-Dec-2024: Ciudad De México, Mexico – Circo Volador

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Arch Enemy are:
Alissa White-Gluz – Vocals
Michael Amott – Guitars
Joey Concepcion – Guitars
Sharlee D’Angelo – Bass
Daniel Erlandsson – Drums

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Arch Enemy online:
Website
Facebook
Instagram
TikTok
X

Source: Century Media

Categories
News Press Release

SYNLAKROSS reveal new album ‘Mental Parasites’

SynlakrosS has just revealed the cover of their album ‘Mental Parasites’, which will be released on October 3, 2024. After their EP ‘Ideas Are Bulletproof’ it is time for yet another full-length and this melodic deathmetal/metalcore band is still going strong……

This is the fifth full-length album of their career and this is what they have said about it on their social media channels:

The songs on this album are inspired by personality disorders, as well as thoughts and attitudes that parasitize our mind, turning it into a hostile place and making us live in hell. They invite self-reflection in an entertaining way.

Totally SynlakrosS dark mojo!

We have played, experimented and tried new things on this album. Some things are going to surprise you! It has been a lot of fun and we are convinced that it is our best album so far! It has been produced by Facundo Novo who has done a spectacular job! Brilliant!

Songs:
-Bunnies And Bows
-Cherry On Top
-Dickhead
-Drama Queen
-Freak
-Mental Breakdown
-Paranoid
-Popcorn
-Razor Blade

Songs arranged alphabetically. It’s not the final tracklist.

Album cover by our singer Patricia Pons.

New singles will be released very soon.
Pre-sale will begin soon.
Stay tuned!”

SynlakrosS online:
Spotify
YouTube
Facebook
Instagram
Website

Categories
Album Review Staff Review

Dál Riata – Dál Riata (Review)

Dál Riata is a band from Glasgow, Scotland that formed in 2017, and have just brought out their first full-length album on April 12, 2024. In case you were not aware, their name refers to an old Gaelic kingdom in the Middle Ages, that used to encompass north-eastern Ireland as well as the western seaboard of Scotland. It should come as no surprise to anyone then, that their songs are steeped in Celtic mythology and traditional folk-inspired melodies.

Their style of music could best be described as melodic death metal, while at the same time, it is heavily infused with robust power metal elements. This makes for quite an interesting combination, and bears some resemblance to Ensiferum if you need a near comparison. The band is spearheaded by Carys Serries, who is also not your stereotypical frontwoman. Wielding her six-string bass guitar like a trained warrior in the heat of combat – a lethality which is matched only by her blood-curdling death vocals – Serries definitely brings plenty of presence and personality to each of these compositions. Her pitch is much deeper than you might expect as well, almost in the same vicinity as the impressive low notes that she produces from her thunderous bass strings.

But there is one thing that I would care to mention while we’re on this particular subject. It’s probably intentional, but I would have preferred for her voice to have been higher in the mix. Not that it would have helped all that much in understanding what she is singing, but I just believe that it would have produced a far nicer balance overall. As it stands, the production tends to favour the lead guitar above everything else. It forces you to listen to the album at a slightly higher volume, which by itself is probably not a bad way to soak in the experience anyway. And this might have been a much bigger criticism were it not for the undisputable fact that guitarist Scott McLeod is simply great at what he does. It is difficult to complain, and really that’s not what I’m doing, but it might be something just worth considering as an improvement for any future releases. Meanwhile, guitar enthusiasts can sit back and enjoy.

There are plenty of hooks in here for you to be caught on, and they show up early in the runtime. Take the opening track, “Hound of Culann”, which lures you in with its Maiden-esque guitar licks, before happily snagging you and stringing you along. Or the merry-sounding leads on “Destiny’s Cry“, which accurately replicate the precise feeling of charging off on a huge adventure. It’s also worth praising Scott McLeod again for lending clean vocals to the chorus along with Serries, adding a more classical feel. “Trial By Water” is yet further bait for your senses, with its instantly enticing riffs. Although one of the guitar solos in this song does end a little flatly in my opinion, and could have used a bigger exclamation point. It’s perhaps a small reminder that the band still have room for growth.

Andraste’s Favour” introduces some acoustic elements, which also make a reappearance on later tracks too, such as “Nine Maidens of Dundee“. The contrast this provides is great, and endows the proceedings with a more naturalistic flavour. Halfway through the album, and the band are still slugging away with plenty of passion. “Light Blind Sorrow” is a total belter of a track, but my fondest feelings are reserved for “Otherworld“, given its thrashier approach, and throwing-down-the-gauntlet, “Come at me, bro!” attitude: “I will stand // I will fight // Until I wear the crown of all Mankind”.

After a few false starts in “Mag Tuired“, Dál Riata continue on their bloody march. And this time it is the gods they have in their sights within this mythical plain. Yet another powerful number, with some heavier riffing and light orchestral elements on display. “Nine Maidens of Dundee” brings the album to a close with another Celtic tale. The story here is about a farmer who loses all nine of his daughters to a dragon or snakelike creature after sending them to a well to fetch him some water. Perhaps linking back to the album artwork, which is fantastic too by the way. In summary, I really liked this first offering by Dál Riata. While I felt the production could have perhaps been done a little differently, it still doesn’t diminish from this very solid collection of tracks.

Verdict: Dál Riata’s self-titled debut album wears its Celtic heritage proudly, and succeeds in its cultural representation. An intriguing melting pot of mythology and varying styles of metal, it’s an impressive introduction for the band, and one that deserves to be heard by a wide audience of metalheads.

Categories
Featured News News Press Release

Melodic Death Metal Unit ACT OF CREATION Reveal Title Track of Upcoming New Album “Moments To Remain”

Germany-based melodic death metal unit ACT OF CREATION has announced the first details about their forthcoming, fifth studio album entitled “Moments to Remain”! The album will be released via Massacre Records on July 19, 2024 as CD Digipak, Ltd. Vinyl LP and Digital formats, the pre-sale has just started at: https://lnk.to/momentstoremain

“Moments To Remain” can be considered as a continuation of the last three ACT OF CREATION albums, but it should still be seen as a stand-alone release.

Lyrically, all the songs revolve around the theme of time, which is also picked up on the cover in the form of a clock slowly dissolving in a lake. The “Moments To Remain” album cover once again depicts the girl who was reborn on “The Uncertain Light”. Now, however, she is already grown up, sitting in front of a lake, and reflecting on life. The whole album is based on the concept of reviewing an entire day and thinking about certain topics while sitting by the water.

Watch the official video for “Moments To Remain” BELOW:

Vocalist Jess tells us:

“This is the title track and deals with the topic of memory loss and how important and beautiful memories are as well as the moments in life that you might not immediately remember. With a short intro and outro in the song, we transport the listener to the scenery from the album cover, namely the lake of memories.”

The song is now available on digital streaming providers via: https://actofcreation.bfan.link/momentstoremain

At the beginning of the songwriting process, the band decided not to be constrained by past successes and, as usual, began to express their current feelings and thoughts through music. In order to give the album the maximum of energy and intensity, all songs on the album were recorded directly at the intended live tempo for the first time, so that every last bit of energy could be extracted from the material, thus ensuring that “Moments To Remain” reflects the intensity of ACT OF CREATION‘s live shows.

Furthermore, attention was paid to an even finer blend of all the band’s influences within the songs, which increases the progressiveness somewhat, while transporting the listener even more intensely into their musical world. With the new songs, ACT OF CREATION have succeeded in presenting a logical and consistent further progression of the band’s sound.

In close collaboration with audio engineer Dennis Koehne, a massive wall of sound has once again been created which, despite its incredible power, always leaves enough room for the subtle nuances of the band’s signature sound. The result is an album that, despite all its complexity, makes no compromises when it comes to a powerful performance and thus invites the listener on a highly emotion journey through the musical world of ACT OF CREATION!

CD Tracklist:

1. Awake (Bonus Track)
2. Come With Me
3. Under Friendly Fire
4. Egoist
5. Moments To Remain
6. Cry Of A Peacecrow (Bonus Track)
7. Dying Inside
8. Confront The Truth
9. Lost Little Soul
10. Beyond Reality
11. Agonizing Slumber
12. Into Dreams (Bonus Track)

ACT OF CREATION online:
Website
Facebook
Instagram
YouTube

ACT OF CREATION live:
25.05.2024 DE Bochum – Matrix
19.07.2024 DE Weil am Rhein – Baden In Blut Metal Open Air
06.-07.09.2024 DE Barleben – Metal Embrace Festival
13.09.2024 DE Siegen – Vortex
14.09.2024 DE Frankfurt – Schöppche Keller
28.09.2024 DE Wermelskirchen – AJZ
11.10.2024 DE Trier – Luckys Luke 
12.10.2024 DE Marburg – KFZ
19.10.2024 DE Ahrensburg – Unleash The Kraken Festival
26.10.2024 DE Meinerzhagen – Metal 4 Meinerzhagen Festival
09.11.2024 DE Erfurt – Club From Hell
16.11.2024 De Duisburg – Parkhaus Meiderich 
07.12.2024 DE Osnabrück – Bastard Club

ACT OF CREATION is:
Jessica Nicole Kork – Vocals
Carsten Schluch – Guitar
Göksel Hamali – Guitar
Holger Fischer – Bass
Sebastian Nienaber – Drums

Categories
News Press Release

Spanish Melodic Death Metal Discovery Worth Signs With Wormholedeath Records For Upcoming Self-Titled Album

Worth, the rising star of melodic death metal from Spain, is pleased to announce their signing with Wormholedeath Records for the release of their second studio album, self-titled “WORTH”. The album is set to be released worldwide on May 12th, 2023.

With the announcement comes the release of the first single “Vanished”. Check out the lyric video here:

Worth was founded in 2014 by five women with a passion for creating melodic metal sounds. After several lineup changes, they released their debut album “The Essence Of Life” in 2018, showcasing their unique blend of melodic death metal and doom influences. The album received positive reviews and set the stage for the band’s current lineup, consisting of Gloria Falgueras on guitars, Cri Jill on vocals, Stevie Gamester on drums, and Francesca Missori on bass.

After the departure of two original members, Worth continued to work on their sound and vision, resulting in the creation of their upcoming self-titled album. With influences from bands like Be’lakor, Insomnium, and Dark Tranquillity, “WORTH” promises to be a powerful and captivating release.

The album was recorded at Titanslab Studio and produced by the band themselves. The self-titled “WORTH” features 14 tracks of melodic death metal, each with its own unique sound and energy. The album is set to be a milestone in the band’s career and is sure to impress both existing fans and new listeners alike.

“We’re thrilled to be working with Wormholedeath Records and to release our second album through such a professional and dedicated label,” said the band. “We put a lot of hard work and passion into this album, and we can’t wait to share it with the world.”

For more information on Worth and their upcoming album, follow them on social media at the links below.

www.instagram.com/worth_band
www.facebook.com/worthmetalband
twitter.com/worth_band
www.youtube.com/worthofficial

1. Time Won’t Heal
2. In Compulsion
3. Entwined
4. Cravings
5. Chased
6. Unbound
7. Emptiness
8. Morning Blaze
9. Vanished
10. Nu Uita
11. Frozen Echelon
12. Nova
13. One Named Nightmare
14. To Light One’s Fire

Source: Wormholedeath