If you are not yet acquainted with Minneapolis-based symphonic metal band AfterTime, it is well past time to change that. And what better place to start then with their brand new studio album, “Arcane Horizons“, which just released following a successful crowdfunding campaign. This production promises to embark you on a thrilling adventure across uncharted territories and vibrant sonic landscapes. An invitation that is reflected not just in the album’s title, but also the picturesque cover art by Gogo Melone.
Your main companions on this mystical journey include the exceptional band line-up from 2021’s EP “Infinite Legacy. However, audiences will be pleased to know that members of the MPLS (imPulse) choir have also formed their entourage again. And rightfully so, as the 16-person choral ensemble brings an added layer of depth and gravitas to what is already an epic foundation. Combine all this talent with the sublime orchestrations of Vikram Shankar, together with the skillful mixing and mastering of Jack Kosto (Seven Spires), and AfterTime have all the necessary elements in place for a truly immersive, and blockbuster cinematic listening experience.
Which is exactly what this album delivers. At the very beginning, we are treated to a highly “visual” orchestral and instrumental intro titled “Ultra Terram“, so described because it will paint images in your imagination as the inspiring melodies resound in your mind. Acting as a prelude of things to come, it effectively grows your anticipation, and instils a heightened sense of drama. Featuring indigenous-sounding wind instruments and folksy percussion, which are then further adorned by angelic strings and glorious chants, your spirits cannot help but be lifted as you move into the ensuing number, “Arcane Horizons“. This is the title track of the album and our first taste of the music now that the entire band has entered the scene, and it instantly becomes clear that they are indeed deserving of the preceding hype. The vocals of AfterTime‘s fabulous frontwoman Sarah Wolf immediately catch your ear, as she wastes no time in showing off high notes unattainable by most other mortals. Though notably, it is a peaceful style of escalation, never feeling at all confronting or overpowering as can sometimes be the case with operatic singers. Instead she melds in nicely with the choir and orchestration. The same cannot be said for guitarist Brad Sturgis, on the other hand, who injects some much needed abrasiveness into the song with his throaty growls. Fans of Epica will no doubt enjoy this dynamic, as the energy is very similar.
Whereas the next guaranteed hit, “Sons of Fenrir“, is bound to prick the ears of many Xandria fans, particularly those fond of the Dianne van Giersbergen-era albums. The MPLS choir prove their worth once again, with a truly astounding performance that will blow you away with its magnificence. They still fail to overshadow Wolf though, who somehow manages to ensnare your focus at all times. Except maybe during Chris Radke’s majestic guitar solo in the final moments. While on the topic of show-stealing appearances, the track “Lust and Rust” is definitely that for Wolf, who briefly splits off from the rest of the group so as to deliver what is essentially a heartfelt soliloquy, showcasing her theatrical side while also deepening her connection with the listener in a more direct manner.
This raises another important aspect of the album. The immersion you feel while listening is largely aided by the fact that AfterTime are not just esteemed musicians, but also great storytellers. Many compositions on “Arcane Horizons” guide the listener through common folklore and mythology, but they are also complemented by some original stories that have been written by the band as well, such as on “Armored Heart“, and my personal favourite “Goddess of Dark Horizons“. The latter tells the tale of a powerful goddess who rescues a tribe of warriors caught in a dangerous storm at sea, and features some truly well-narrated, and addictive verses by Wolf, who makes the act of story-time look easy. And the song is a most welcome sea change from the well-treaded mythology of Homer’s sirens.
As she looks out across the horizon
AfterTime – Goddess of Dark Horizons
The gray clouds appear and the high waves ascend
A battle of will is upon them
Their sanity tested through these endless times
They’re watching the sun disappear!
But if the lyrics don’t keep you glued to your speakers, then the music is sure to maintain your engagement level. Especially when it comes at you as energetically as “Amongst the Trees“, and full credit to drummer AJ Blakesley for his concussive pounding of the drums, which are likely to leave you feeling a little battered by the end. Especially when combined with the menacingly harsh vocal assault. (The trauma is real). But in all seriousness, I really enjoyed the heavier shift. And given that most of this album strikes a more serene vibe, it definitely stands out to me as a particular highlight. But it’s not the last surprise AfterTime have up their sleeve before the curtain falls, because “Verdant Siren” reveals another, much bigger revelation with the very special contribution of guest vocalist Lara Mordian (Shield of Wings, Mordian). A fact that until recently had been kept a closely guarded secret. Both singers pair wonderfully together, and the beautifully shot music video is a sight to behold.
It’s no wonder that we join next track, “Druid’s Dance“, in such a jubilant mood: “Come, let’s dance with the druids // The equinox is here // Join in the celebration“. If this number doesn’t convince you to get up and move, it will at least put a big smile on your face. Besides, you’ll get another chance to burn off some calories with “Under A Midnight Sun“, which presents itself as a light instrumental jig. I particularly appreciated the fiddle sections. Although just make sure you have some energy left in reserve, because next up is the absolute marathon of “A Prophecy of Realms“. Over a whopping 11 minutes long, it’s divided up into 3 distinct parts and takes several interesting turns, while still interconnected and linked by a recurring melody that pulses like a heartbeat at various occasions. It’s all impressively cohesive, and proves that AfterTime have no problems at all when turning their efforts to much lengthier compositions. There is one last track on the album, and one wonders at this point how they can possibly top what has already been served up. And yet, the band manages to pull it off with “By The Tavern’s Light“, a cheerful drinking song which produces a rather unexpected ending. As we find out that the previous songs of the album were all stories shared among a group of travellers, regaling each other at a tavern on a cold winter’s night. It makes for a brilliant closure to the album, and will have you wanting to raise your drink in solidarity and toast to the band’s success. They have unquestionably earned it.
Verdict: “Arcane Horizons” shows that AfterTime are a cut above the rest, and capable of matching the finest European symphonic metal, in both their production and songwriting. The album is an enchanting experience from start to finish, and wholeheartedly deserves to elevate the band’s stature and recognition amongst fans of the genre.
